Poems 1962-2012

Poems 1962-2012

by Louise Glück
Poems 1962-2012

Poems 1962-2012

by Louise Glück

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Overview

WINNER OF THE NOBEL PRIZE IN LITERATURE

The collected works of the inimitable Pulitzer Prize–winning poet


It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, shot through with the bright aspect of things new-made.
From the outset ("Come here / Come here, little one"), Gluck's voice has addressed us with deceptive simplicity, the poems in lines so clear we "do not see the intervening fathoms."

From within the earth's
bitter disgrace, coldness and barrenness

my friend the moon rises:
she is beautiful tonight, but when is she not beautiful?

To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.


Product Details

ISBN-13: 9781466875623
Publisher: Farrar, Straus and Giroux
Publication date: 07/08/2014
Sold by: Macmillan
Format: eBook
Pages: 656
Sales rank: 481,757
File size: 786 KB

About the Author

About The Author
Louise Glück (1943-2023) was the author of two collections of essays and thirteen books of poems. Her many awards included the Nobel Prize in Literature, the National Humanities Medal, the Pulitzer Prize for The Wild Iris, the National Book Award for Faithful and Virtuous Night, the National Book Critics Circle Award for The Triumph of Achilles, the Bollingen Prize for Poetry, the Los Angeles Times Book Prize for Poems 1962–2012, and the Wallace Stevens Award from the Academy of American Poets. She taught at Yale University and Stanford University and lived in Cambridge, Massachusetts and Montpelier, Vermont.

Read an Excerpt

CHAPTER 1

THE EGG

THE CHICAGO TRAIN

Across from me the whole ride Hardly stirred: just Mister with his barren Skull across the arm-rest while the kid Got his head between his mama's legs and slept. The poison That replaces air took over.
THE EGG

I Everything went in the car.
II

Until aloft beyond The sterilizer his enormous hands Swarmed, carnivorous,
III

Always nights I feel the ocean Biting at my life. By Inlet, in this net Of bays, and on. Unsafe.
THANKSGIVING

In every room, encircled by a name-
HESITATE TO CALL

Lived to see you throwing Me aside. That fought Like netted fish inside me. Saw you throbbing In my syrups. Saw you sleep. And lived to see That all that all flushed down The refuse. Done?
MY COUSIN IN APRIL

Under cerulean, amid her backyard's knobby rhubarb squats My cousin to giggle with her baby, pat His bald top. From a window I can catch them mull basil,
RETURNING A LOST CHILD

Nothing moves. In its cage, the broken Blossom of a fan sways Limply, trickling its wire, as her thin Arms, hung like flypaper, twist about the boy ...
LABOR DAY

Requiring something lovely on his arm Took me to Stamford, Connecticut, a quasi-farm,
THE WOUND

The air stiffens to a crust.
And I am fixed. Gone careful,
SILVERPOINT

My sister, by the chiming kinks Of the Atlantic Ocean, takes in light.
EARLY DECEMBER IN CROTON-ON-HUDSON

Spiked sun. The Hudson's Whittled down by ice.
CHAPTER 2

THE EDGE

THE EDGE

Time and again, time and again I tie My heart to that headboard While my quilted cries Harden against his hand. He's bored —
GRANDMOTHER IN THE GARDEN

The grass below the willow Of my daughter's wash is curled With earthworms, and the world Is measured into row on row Of unspiced houses, painted to seem real.
PICTURES OF THE PEOPLE IN THE WAR

Later I'll pull down the shade And let this fluid draw life out of the paper.
THE RACER'S WIDOW

The elements have merged into solicitude.
PORTRAIT OF THE QUEEN IN TEARS

As my father, the late star, once told me,
BRIDAL PIECE

Our honeymoon He planted us by Water. It was March. The moon Lurched like searchlights, like His murmurings across my brain —
MY NEIGHBOR IN THE MIRROR

M. le professeur in prominent senility Across the hall tidies his collected prose And poems. Returning from a shopping spree Not long ago, I caught him pausing to pose Before the landing mirror in grandiose semi-profile.
MY LIFE BEFORE DAWN

Sometimes at night I think of how we did It, me nailed in her like steel, her Over-eager on the striped contour Sheet (I later burned it) and it makes me glad I told her — in the kitchen cutting homemade bread —
THE LADY IN THE SINGLE

Cloistered as the snail and conch In Edgartown where the Atlantic Rises to deposit junk On plush, extensive sand and the pedantic

Meet for tea, amid brouhaha I have managed this peripheral still,
Jellyfish. But I have seen The slick return of one that oozed back On a breaker. Marketable sheen.
Sailor loved me once, near here.
To kiss, still tried to play Croquet with the family — like a girl almost,
The memory. And yet his ghost Took shape in smoke above the pan roast.
THE CRIPPLE IN THE SUBWAY

For awhile I thought had gotten Used to it (the leg) and hardly heard That down-hard, down-hard Upon wood, cement, etc. of the iron Trappings and I'd tell myself the memories Would also disappear, tick-
NURSE'S SONG

As though I'm fooled. That lacy body managed to forget That I have eyes, ears; dares to spring her boyfriends on the child.
SECONDS

Craved, having so long gone Empty, what he had, hardness That (my boy half-grown)
LETTER FROM OUR MAN IN BLOSSOMTIME

Often an easterly churns Emerald feathered ferns Calling to mind Aunt Rae's decrepit Framed fan as it Must have flickered in its heyday.
THE CELL

(Jeanne des Anges, Prioress of the Ursuline nuns, Loudun, France: 1635)

It's always there. My back's Bulging through linen: God Damaged me — made Unfit to guide, I guide.
THE ISLANDER

Sugar I am CALLING you. Not Journeyed all these years for this:
LETTER FROM PROVENCE

Beside the bridge's photogenic lapse into air you'll Find more interesting material.
MEMO FROM THE CAVE

O love, you airtight bird,
FIRSTBORN

The weeks go by. I shelve them,
We are eating well.
LA FORCE

Made me what I am.
(Continues…)



Excerpted from "Poems 1962–2012"
by .
Copyright © 2012 Louise Glück.
Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Title Page,
Copyright Notice,
FIRSTBORN (1968),
THE HOUSE ON MARSHLAND (1975),
DESCENDING FIGURE (1980),
THE TRIUMPH OF ACHILLES (1985),
ARARAT (1990),
THE WILD IRIS (1992),
MEADOWLANDS (1996),
VITA NOVA (1999),
THE SEVEN AGES (2001),
AVERNO (2006),
A VILLAGE LIFE (2009),
Index of Titles,
Also by Louise Glück,
Copyright,

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