Alternate Side

Alternate Side

by Anna Quindlen

Narrated by Ellen Archer

Unabridged — 7 hours, 40 minutes

Alternate Side

Alternate Side

by Anna Quindlen

Narrated by Ellen Archer

Unabridged — 7 hours, 40 minutes

Audiobook (Digital)

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Overview

The tensions in a tight-knit neighborhood—and a seemingly happy marriage—are exposed by an unexpected act of violence in this provocative new novel from the #1 New York Times bestselling author of Miller's Valley and Still Life with Bread Crumbs.

Some days Nora Nolan thinks that she and her husband, Charlie, lead a charmed life—except when there's a crisis at work, a leak in the roof at home, or a problem with their twins at college. And why not? New York City was once Nora's dream destination, and her clannish dead-end block has become a safe harbor, a tranquil village amid the urban craziness. Then one morning she returns from her run to discover that a terrible incident has shaken the neighborhood, and the fault lines begin to open: on the block, at her job, especially in her marriage. With humor, understanding, an acute eye, and a warm heart, Anna Quindlen explores what it means to be a mother, a wife, and a woman at a moment of reckoning.


Editorial Reviews

The New York Times Book Review - Sue Corbett

…exquisitely rendered…[Quindlen] is one of our most astute chroniclers of modern life. [Alternate Side] has an almost documentary feel, a verisimilitude that's awfully hard to achieve. There's no moment that feels contrived or false, except perhaps to non-New Yorkers who may find it impossible to believe that anyone would consider $350 a month for a parking space a bargain too good to pass up.

Publishers Weekly

02/05/2018
Bestseller Quindlen’s provocative novel (after Miller’s Valley) is a New York City drama of fractured marriages and uncomfortable class distinctions. Nora and Charlie Nolan, married 25 years, live in a posh neighborhood in Manhattan. She is a museum director, he’s an investment banker, and both are lodged in a passionless marriage of silent tolerance. Simmering class, economic, and racial tensions boil over when an arrogant, rich white lawyer neighbor hits a local Latino handyman with a golf club for blocking a parking lot entrance. This forces Nora, Charlie, and their neighbors to decide how seriously to take the crime. Suddenly, the neighborhood’s veneer of acceptance and inclusion is peeled away, revealing resentment and bitterness among neighbors and spouses. Nora and Charlie argue openly, revealing just how little they really care about each other and prompting Nora to conclude there are only three kinds of marriages: “happy, miserable, and acceptably unhappy.” Quindlen’s novel is an exceptional depiction of complex characters—particularly their weaknesses and uncertainties—and the intricacies of close relationships. (Mar.)

From the Publisher

Lives of Manhattanites have long fascinated discerning writers, from Wharton to McInerney, and with her ninth novel, bestselling [Anna] Quindlen takes her place within this pantheon. . . . [Her] quietly precise evaluation of intertwined lives evinces a keen understanding of and appreciation for universal human frailties. Complex themes and clever motifs make this eminently suitable for book groups.”Booklist (starred review)

“Exquisitely rendered . . . [Quindlen] is one of our most astute chroniclers of modern life. . . . [Alternate Side] has an almost documentary feel, a verisimilitude that’s awfully hard to achieve.”The New York Times Book Review

“An exceptional depiction of complex characters—particularly their weaknesses and uncertainties—and the intricacies of close relationships . . . Quindlen’s provocative novel is a New York City drama of fractured marriages and uncomfortable class distinctions.”Publishers Weekly

“With her signature wisdom and wit, Quindlen takes readers on a romp through a New York City zip code many would kill to call home. When an act of violence rocks this tight-knit neighborhood, fault lines spread through friendships, marriages and brownstones. The takeaway? Be careful what you wish for—and all is not what it seems behind those warmly lit windows. Quindlen once again proves she’s the doyenne of hyper-local drama, this time with a dark and dangerous eye.”People, Book of the Week

Praise for the bestselling fiction of Anna Quindlen
 
“Overwhelmingly moving . . . In this novel, where so much is about what vanishes, there is also a deep beating heart, of what also stays.”The New York Times Book Review, about Miller’s Valley
 
“Leaves the reader feeling grateful, wide awake, lucky to be alive.”—Michael Chabon, about One True Thing
 
“Taken as a whole, Quindlen’s writings represent a generous and moving interrogation of women’s experience across the lines of class and race. . . . Quindlen has delivered a novel that will have staying power all its own.”The New York Times Book Review, about Still Life with Bread Crumbs
 
“A poignant story of sisterhood, and the universal struggle to find one’s true purpose . . . Quindlen’s superb, generous storytelling has never been more rewarding.”BookPage, about Rise and Shine
 
“Anna Quindlen is America’s Resident Sane Person. She has what Joyce called the common touch, the ability to speak to many people about what’s on their minds before they have the vaguest idea what’s on their minds.”The New York Times, about Blessings
 
“In a tale that rings strikingly true, Quindlen captures both the beauty and the breathtaking fragility of family life.”—People, about Every Last One

MAY 2018 - AudioFile

Narrator Ellen Archer uses accents and inflections to give personality to a large cast of characters, not a small accomplishment for this rambling story. She gives Nora Nolan a voice that projects her feelings of dissatisfaction with the life she once thought she wanted. Her husband, Charlie, speaks in words that function as sentences: “You. Are. Beautiful.” He’s trying to maintain his natural kindness and optimism as he struggles with a stuck career. George, the self-appointed leader of the neighborhood, has the annoyingly confident delivery of a person who enjoys pontificating and expects everyone to believe his version of reality. Hispanic accents make Ricky and Charity sound realistic. While it could be said that the story is narrated at a breakneck speed that lacks nuance, Archer’s character development is noteworthy. N.E.M. © AudioFile 2018, Portland, Maine

Kirkus Reviews

2018-02-06
A Manhattan comedy of manners with a melancholy undertow.The vagaries of parking in New York City figure prominently in Quindlen's ninth novel, which begins with a moment of parking karma: Charlie Nolan has just scored a permanent spot in the small outdoor lot on his Upper West Side block. Charlie, an investment banker, and his wife, Nora, who runs a jewelry museum, live in a town house surrounded by other town houses owned by affluent types much like themselves; the only blight on the block is a single-room-occupancy building. The Nolans have been married for almost 25 years—not unhappily, not quite serenely—and are parents of college-age twins. Nothing much happens in the first 100 pages or so, but the author's amusing digressions—on dogs, rats, parking tickets, housing prices, and other city obsessions—keep things moving. Then a violent act shatters the calm on the Nolans' block: Hot-tempered Jack Fisk, partner in a white-shoe law firm, takes a golf club to mild-mannered Ricky Ramos, the neighborhood handyman, who's had the temerity to block the entrance to the parking lot with his van. And simmering issues of race and class boil over. (Earlier, when Nora visits Ricky at his home in the Bronx—getting lost, of course, on the way—there's a whiff of Bonfire of the Vanities.) The golf-club incident also has consequences for the Nolan family. The title of the book, it turns out, doesn't just refer to parking. Quindlen's sendup of entitled Manhattanites is fun but familiar. And though the author has been justly praised for her richly imagined female characters, Nora can seem more a type than a full-bodied woman.There's insight here—about the precariousness of even the most stable-seeming marriages—and some charm, but the novel is not on a par with Quindlen's best.

Product Details

BN ID: 2940172494437
Publisher: Brilliance Audio
Publication date: 03/20/2018
Edition description: Unabridged

Read an Excerpt

“Just look at that,” Charlie Nolan said, his arm extended like that of a maître d’ indicating a particularly good table.

“Oh, my God, stop,” said Nora Nolan, looking through the narrow opening of the parking lot, at the end of which she could just glimpse the front bumper of their car.

“It’s beautiful, Bun,” Charlie said. “Come on, you have to admit, it’s beautiful. Look. At. That.” That’s what Charlie did when he wanted to make sure you got his point, turned words into sentences, full stop.

Some. Sweet. Deal.

Big. Brass. Balls.

The first night they’d met, almost twenty-five years ago, in that crowded bar in the Village that was a vegan restaurant now: You. Are. Great.

Really. Really. Great.

Nora could not recall exactly when she’d first begun to think, if not to say: Just. So. Annoying.

In the line of narrow townhouses that made up their side of the block, standing shoulder to shoulder like slender soldiers of flawless posture and unvarying appearance, there was one conspicuous break, a man down, a house-width opening to a stretch of macadam turned into an outdoor parking lot. It held only six cars, and since nearly everyone on the block wanted a space, it had become a hot commodity, a peculiar status symbol.

A book about the city’s history, in the archives of a museum at which she had once interviewed for a job, had told Nora that a house in that space had been gutted in a fire, and the family that owned it had never bothered to rebuild. It had happened in the early 1930s, when the country, the city, and the west side of Manhattan had no money, which of course had happened again in the 1970s, and would doubtless happen again sometime in the future, because that was how the world worked.

At the moment, however, it seemed scarcely possible. A house on the next block had just sold for $10 million in a bidding war. The couple who sold it had bought it for $600,000 when their children were young. Nora knew this because she and her neighbors talked about real estate incessantly. Their children, their dogs, and housing prices: the holy trinity of conversation for New Yorkers of a certain sort. For the men, there were also golf courses and wine lists to be discussed; for the women, dermatologists. Remembering the playground conversations when her children were small, Nora realized that the name of the very best pediatrician had given way to the name of the very best plastic surgeon.

A single block in the middle of what seemed like the most populous island on earth—although it was not, a professor of geography had once told Nora; it was not even in the top ten—and it was like a small town. The people who owned houses on the block had watched one another’s children grow up, seen one another’s dogs go from puppy to infirmity to the crematorium at Hartsdale Pet Cemetery. They knew who redecorated when, and who couldn’t afford to. They all used the same handyman.

“You live on that dead-end block?” someone had asked Nora at an art opening several years before. “One of my friends rented a place there for a year. He said it was like a cult.”

None of those who owned on the block cared about the renters. They came and they went, with their sofa beds and midcentury-modern knockoffs, their Ikea boxes at the curb. They were young, unmoored. They didn’t hang Christmas wreaths or plant window boxes.

The owners all did, and they stuck.

From time to time a real estate agent would troll the block, pushing his card through mail slots and scribbling notes about that odd empty parcel on the north side, to see who owned it and whether a new townhouse could be built there. For now it was a narrow, ill-kept parking lot, oddly shaped, like one of those geometry problems designed to foil students on the SATs: determine the area of this rhomboid. In the worst of the parking spaces, the one wedged into a cut-in behind the back of the neighboring house, Charlie Nolan’s Volvo wagon, in a color called Sherwood Green, now sat. It had been there only for five hours, by Nora’s reckoning, and already the windshield was pocked with the chalky white confetti of pigeon droppings.

That morning, just after sunrise, Charlie had flipped on the overhead light in their bedroom, his face lit up the way it was when he was part of a big deal, had underestimated his bonus, or paid less for a bottle of wine than he decided it was worth.

“I got a space!” he crowed.

Nora heaved herself up onto her elbows. “Have you lost your mind?” she said.

“Sorry sorry sorry,” Charlie said, turning the light off but not moving from the doorway. There was a marital rule of long standing: Nora was to be allowed to sleep as long as she liked on weekends unless there was an emergency. She thought of herself as a person who had few basic requirements, but sleep was one of them. The six months during which her children had wanted to be fed, or were at least awake, in the middle of the night were among the most difficult months of her life. If she had not given birth to twins she might have had only one child, the sleep deprivation was so terrible.

Charlie knew this. He got up and went to work earlier than Nora, and the top of his dresser, the bathroom, his closet were all equipped with small flashlights by which he would dress, and dress again after he had taken the dog to the dog run, come home, and showered. Usually by the time he was in a suit and tie and eating his All-Bran, Nora was at the kitchen table in her nightgown, although it was her preference that they talk as little as possible in the morning.

Yet here was her husband, waking her on a Saturday, with the light full in her eyes.

“I got a space,” he said again, but less maniacally, as though he was setting his emotional temperature closer to hers.

And now she could see their car in the space, already moved from the enclosed garage two blocks away to the dogleg in the lot. Charlie was humming to himself. When they had first moved to the block, Charlie asked around among the other parkers to see if he could inherit the space vacated by the people they were buying the house from. It was communicated in no uncertain terms, and in that osmotic way in which things became known on the block, that a space in the lot was a privilege, not a right, and Charlie somewhat truculently signed up for the indoor garage nearby, privately adding the failure to his list of Things That Were Not Going the Way They Should for Charlie Nolan, a list that in the last year Nora suspected had become a book, perhaps even an encyclopedia.

While Charlie often complained to Nora that the fee for the enclosed garage was only slightly less than the rent on their first apartment, there had never even been a question of parking on the street. Paying for parking relieved one of those petty aggravations that was like dripping water on the stone of self, until one day you discovered it had left a hole the size of a fist in your head. Nora knew that for Charlie, living in the city meant more drips, with harder water. He reminded her of it often enough. New York was not Charlie’s natural habitat.

Nora hoped that this morning’s triumph, small but seemingly monumental to her husband, would make up for that in some fashion. It had rankled for years, when Charlie passed the opening to the lot, and now he had finally scored a space. On the dining room table lay the typed notice, slipped through their mail slot, informing Charlie that the spot formerly allotted to the Dicksons was his if he wanted it; in the spot now was their Volvo. It was a car like their life, prosperous, understated, orderly—no food wrappers, no baby seats, no coins or crumbs on the floor. When the lease on the car was up it would barely need to be detailed before they got another just like it. Charlie always wondered aloud about other manufacturers, models, colors. Nora didn’t care. She was scarcely ever in the car.

A white plastic bag eddied around Nora’s bare ankles for a moment in a breathless summer breeze, touching her, tickling her, circling her painted pink toes. She kicked it aside and it moved down the block, rising and falling like a tiny ghost, disappearing between two parked cars. The street smelled like dank river low tide, melting tar, and, as always in warm weather, the vinegar tang of garbage. Nora had had to yank their dog away from a cardboard container of moo shu something, pulled from a hole in a bag by some other dog and upended near the dead end.

It was crazy, but there was a small, secret part of Nora that was comfortable with trash on the street. It reminded her of her youth, when she’d first arrived in a nastier, scarier, dirtier New York City and moved into a shabby apartment with her best friend, Jenny. A better New York, she sometimes thought to herself now, but never, ever said, one of the many things none of them ever admitted to themselves, at least aloud: that it was better when it was worse.

Homer teased the air at the entrance to the lot with his muzzle and then sat. Their dog knew their block, their house, even their car, and he tolerated riding in it, wedging himself into the foot well alongside Oliver’s enormous sneakers. Rachel complained that Homer was not as affectionate with her as he was with her brother, which Nora thought was probably true. But ten minutes of Homer on Rachel’s insteps and she would be whining that her feet had fallen asleep and there was no reason their dog couldn’t ride in the way back like other dogs. Nora worried that her daughter had difficulty discerning the difference between what she really wanted and what other people made seem desirable. Now that Rachel was out of her teens and in college, Nora hoped she was outgrowing this, although in New York it made her merely typical.

“I don’t know what you’re talking about,” Charlie had said when Nora mentioned it to him. Which had become a bit of a theme in their house on every subject.

“Listening to you people,” said Jenny, the only one in their women’s lunch group who had never been married, “marriage sounds sort of like the den. It’s a good place to chill out, but it’s not the most important room in the house. Which makes me wonder why you’re all so anxious for me to have one.”

“I think the den is the most important room in the house,” Suzanne, who was a decorator, replied.

“The kitchen is the most important room in the house,” Elena said.

“If you cook,” Suzanne replied.

“Who still cooks?” said Jean-Ann.

Jenny turned to Nora. “Did everyone miss the entire point of what I said?” she asked.

“Absolutely,” Nora said.

“Absolutely,” Nora had said when Charlie asked if she wanted to walk down the block to the lot once he’d moved the car in, knowing that staying at the breakfast table to finish her bagel and read the newspapers was not conducive to a day of amity. But she balked at going any farther into the lot than that. “Come take a look,” Charlie said now, as though the lot contained infinite vistas, gardens, and statuary instead of just three brick walls, several other cars, a center drain, and two of those squat, black plastic boxes that were everywhere in the parks and backyards of New York City, sheltering blocks of flavored rat poison from passing dogs.

“I’m not going back there,” Nora said. “Charity says that’s where all the rats live.”

“So are the subway tracks, and you take the subway.”

She didn’t take it much. Nora liked to walk, and when she did take the train she made certain not to look down at the tracks. She’d tried to analyze the depth of her rat phobia, but she’d given it up as pointless. Why were squirrels fine, anodyne, and rats insupportable, provoking a chemical reaction so profound that her breathing didn’t return to normal for minutes at a time? Everyone had something; when they were growing up her sister had wakened her at least a dozen times because there was a spider in her room. Charlie hated snakes.

“Everybody hates snakes,” Rachel had said, dismissive even as a small child.

“I don’t,” Nora had replied.

And why had she chosen what seemed to be the rat capital of the world in which to make a life? She remembered her friend Becky from college, who was terrified of water—no need for deep analysis; her younger brother had nearly drowned on the Vineyard when they were children, pulled from the surf and given CPR by a lifeguard. Still, Becky had gotten a job managing a spa with an enormous saltwater pool. She’d insisted she didn’t mind, but as soon as she could she’d moved on to a sprawling country inn. There was a river at the bottom of the hill on which the inn sat, but she was never required to go near it. Nora understood that, unlike Becky’s phobia, most of these aversions were chemical and intuitive, the way some people immediately fell in love with New York, and other people said that they could never live there. (“I don’t get it,” Nora had said once to her sister, Christine, on the phone. “If I went to Greenwich and said, ‘I don’t understand how anyone can stand to live here,’ people would think I was rude.”)

Charlie walked to the back of the parking lot and out again, as though he were surveying his property. It wasn’t a long walk. “No rats,” he said.

“Just because you can’t see them doesn’t mean they’re not there,” said Nora.

Halfway down the block one of the guys who worked for Ricky taking care of their houses was hosing down the sidewalk. Ricky’s guys tended to be small, dark, and stocky, former residents of some Central American country who were willing to do almost any kind of work to earn money. This one had just washed out all their garbage cans, but the effort was fruitless. The greasy sheen on both the pavement and in the cans would reassert itself, summer’s urban perspiration. It was one of the reasons people who could afford to do so fled New York, for Nantucket, the Hamptons, somewhere cleaner, greener. Somewhere more boring, Nora often thought to herself.

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