The Believers

The Believers

by Zoe Heller
The Believers

The Believers

by Zoe Heller

Paperback(Reprint)

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Overview

“[Zoe Heller] is an extraordinarily entertaining writer, and this novel showcases her copious gifts, including a scathing, Waugh-like wit.”—New York Times

Best-selling author Zoe Heller has followed up the critical and commercial success of What Was She Thinking? Notes on a Scandal with another tour-de-force on the meaning of faith, belief, and trust: The Believers. Tragic and comic, witty and intense, The Believers is the story of a dysfunctional family forced by tragedy to confront their own personal demons. In the vein of Claire Messud and Zadie Smith, Zoe Heller has written that rare novel that tackles the big ideas without sacrificing page-turning readability.


Product Details

ISBN-13: 9780061430213
Publisher: HarperCollins
Publication date: 01/19/2010
Series: P.S. Series
Edition description: Reprint
Pages: 335
Product dimensions: 5.20(w) x 7.90(h) x 1.00(d)

About the Author

Zoë Heller is the author of Everything You Know and What Was She Thinking? Notes on a Scandal, which was short-listed for the Man Booker Prize and made into an acclaimed film starring Cate Blanchett and Judi Dench. Heller lives in New York.

Hometown:

New York, New York

Date of Birth:

July 7, 1965

Place of Birth:

London, England

Education:

B.A., St. Anne's College, Oxford, 1987; M.A., Columbia University 1988

Read an Excerpt


The Believers

A Novel



By Zoe Heller
HarperCollins
Copyright © 2009

Zoe Heller
All right reserved.



ISBN: 978-0-06-143020-6



Chapter One London, 1962

At a party in a bedsit just off Gower Street, a young woman stood alone at the window, her elbows pinned to her sides in an attempt to hide the dark flowers of perspiration blossoming at the armholes of her dress. The forecast had been for a break in the weeklong heat wave, but all day the promised rain had held off. Now, the soupy air was crackling with immanent brightness and pigeons had begun to huddle peevishly on window ledges. Silhouetted against the heavy, violet sky, the Bloomsbury rooftops had the unreal, one-dimensional look of pasted-on figures in a collage.

The woman turned to survey the room, wearing the braced, defiant expression of someone trying not to feel her solitude as a disadvantage. Most of the people here were students, and aside from the man who had brought her, she knew no one. Two men had separately approached her since she had been standing at the window, but fearful of being patronized, she had sent them both away. It was not a bad thing, she told herself, to remain composed on the sidelines while others grew careless and loud. Her aloofness, she fancied, made her intriguing.

For some time now, she had been observing a tall man across the room. He looked older than the other people at the party. (Casting about in the exotic territory of old age, she had placed him in his early thirties.) He had a habit of massaging his own arms, as if discreetly assessing their muscularity. And from time to time, when someone else was talking, he raised one leg and swung his arm back in an extravagant mime of throwing a ball. He was either very charming or very irritating: she had not yet decided.

"He's an American," a voice said. Audrey turned to see a blond woman smiling at her slyly. She was wearing a violently green dress and a lot of recklessly applied face powder that had left her nose and chin a queer orange color quite distinct from the rest of her complexion. "A lawyer," she said, gesturing across the room at the tall man, "His name's Joel Litvinoff."

Audrey nodded warily. She had never cared for conspiratorial female conversation of this sort. Its assumption of shared preoccupations was usually unfounded in her experience, its intimacies almost always the trapdoor to some subterranean hostility. The woman leaned in close so that Audrey could feel the damp heat of her breath in her ear. The man was from New York, she said. He had come to London as part of a delegation, to brief the Labour Party on the American civil rights movement. "He's frightfully clever, apparently." She lowered her eyelids confidentially. "A Jew, you know."

There was a silence. A small breeze came in through the gap in the window where it had been propped open with books. "Would you excuse me?" Audrey said.

"Oh!" the woman murmured as she watched her walk away.

Pressing her way through the crowd, Audrey wondered whether she had dealt with the situation correctly. There was a time when she would have lingered to hear what amusing or sinister characteristic the woman attributed to the man's Jewishness-what business acumen or frugality or neurosis or pushiness she assigned to his tribe-and then, when she had let the incriminating words be spoken, she would have gently informed the woman that she was Jewish herself. But she had tired of that party game. Embarrassing the prejudices of your countrymen was never quite as gratifying as you thought it would be; the countrymen somehow never embarrassed enough. It was safer, on the whole, to enjoy your moral victory in silence and leave the bastards guessing.

Audrey halted now, at the sound of someone calling her name. Several yards to her left, a stout red-haired youth was standing between two taller men in an unwitting turret formation. This was Martin Sedge, her date for the evening. He was waving and beckoning, making little smoky swirls in the air with his cigarette: "Audrey! Come over here!"

Audrey had met Martin three months before, at a conference of the Socialist Labour League in Red Lion Square. Despite being one year her junior, he was much more knowledgeable about political theory-much more experienced as an activist-than she was, and this inequality had given their friendship a rather pedagogical cast. They had been out together four times, always to the same grimy pub around the corner from where Audrey worked, and on each of these occasions their conversation had swiftly lapsed into tutorial mode, with Audrey sipping demurely at her shandy, or nibbling at a pickled egg, while Martin sank pints of beer and pontificated.

She did not mind being talked at by Martin. She was keen to improve herself. (On the flyleaf of the diary she was keeping that year, she had inscribed Socrates' words, "I know nothing except the fact of my ignorance.") There was a girlish, renunciatory streak in her that positively relished Martin's dullness. What better proof could there be of her serious-mindedness-her rejection of the trivial-than her willingness to spend the spring evenings in a saloon bar, absorbing a young man's dour thoughts on the Fourth International?

Tonight, however, Martin seemed at pains to cast off his austere instructor's persona. In deference to the weather and to the festive nature of the occasion, he had forgone his pilled Shetland sweater in favor of a short-sleeved shirt that revealed his pink, ginger-glazed forearms. Earlier in the evening, when he had met Audrey at the Warren Street tube station, he had kissed her on the cheek-a gesture never hazarded before in the short history of their acquaintance.

"Audrey!" he bellowed now, as she approached. "Meet my mates! Jack, Pete, this is Audrey."

Audrey smiled and shook Jack and Pete's wet hands. Up close, the three men were a small anthology of body odors.

"You out of drink?" Martin asked. "Give me your glass, and I'll get you another. It's bedlam in that kitchen."

(Continues...)




Excerpted from The Believers by Zoe Heller Copyright © 2009 by Zoe Heller . Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

Richard Price

“A beautiful, oftentimes hilarious, razor-precise portrait of a family, a city, and an examination of the eternal and universal urge to embrace something, anything, greater than ourselves.”

Joseph O'Neill

“A moving, deeply intelligent look at intellectual loyalties-to ideology, religion, family-and the humans attached to them. This is a wonderful novel.”

Anne Enright

“Tough, wise and funny. . . . A sustaining, intelligent novel about how the big questions affect and change all our small lives.”

Lionel Shriver

“Profoundly satisfying. . . . Heller injects that difficult-to-pinpoint something-or-other that elevates soap opera to art. . . . The Believers pulses with . . . something deep and lasting and larger than mere story.”

Reading Group Guide

1. Did you find your opinions of the characters in The Believers changed as you read the book?

2. Are there characters that you ended up feeling more positive or sympathetic towards than others?

3. Choosing two characters, can you give examples of personality traits you find appealing and unappealing about each?

4. Do you find that the book’s wit helps to make the family tensions more bearable, or do you find the humour uncomfortable?

5. Do you find the men and the women in the book to be equally rounded characters?

6. What influence does Joel have on the family after his stroke, when he is in a coma?

7. Are there aspects of the book that you feel are unfairly critical of people’s political, moral or religious beliefs?

8. Do you feel that the beliefs and self knowledge the characters end up with are more genuine than those they start out with?

9. Discuss how you think the lives of the members of the Litvinoff family will continue during the months after the funeral. How closely will each of them stick to the decisions they have made?

10. What are your feelings about Audrey’s eulogy at Joel’s funeral?

11. What motivates Audrey’s apparent change of heart regarding Berenice?

12. Do you consider the book to present belief in a negative or positive light?

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