Rolling Stone
"An intriguing, but rarely considered question from the endless realm of pop music hypotheticals"
TIME Magazine
"Endlessly entertaining"
Esquire
"Sometimes the most morbid of questions lead to the most fascinating answers"
From the Publisher
"An intriguing, but rarely considered question from the endless realm of pop music hypotheticals"—Rolling Stone
"Endlessly entertaining"—Time Magazine
"Sometimes the most morbid of questions lead to the most fascinating answers"—Esquire
“oddly entertaining…full of surprises”—Kirkus
Kirkus Reviews
2020-08-01
What’s the song you’d like to exit the stage with? Money executive editor Ayers solicited answers from 30 musicians, resulting in an oddly entertaining if morbid anthology.
Perhaps in a bid to forestall the inevitable, The Decemberists frontman Colin Meloy names Van Morrison’s “Astral Weeks,” a song that runs a little longer than seven minutes. Lauren Mayberry, singer for Scottish synth-pop group Chvrches, takes the length down by half with Katy Perry’s “Firework,” and New Pornographers’ A.C. Newman goes with Gerry Rafferty’s “Baker Street,” which he describes as “the most perfectly recorded song.” The collection is full of surprises. For example, the sometimes grim rocker Stephen Malkmus selects Gordon Lightfoot’s sweet-natured “Carefree Highway,” finding a dark cloud to wrap around that silver lining, while Lucinda Williams weeps at the folk standard, “Shenandoah,” a song that “is just so beautiful, so gorgeous,” even as her own songs are so often about death simply because, as the years roll by, death becomes an ever more constant companion. A pleasingly elusive answer comes from actor and musician Will Oldham, who performs under the name Bonnie “Prince” Billy and who also tries to cheat death a touch by extending the going-out period: “If someone would say, ‘Something is going to happen and your existence is going to end in a month and you have to listen to some music…‘I’d probably say, ‘Okay, let’s make a new record.’ ” The best parts of the narrative, though, which is often prosaic, are the editor’s own listicles and sidebars—e.g., the songs most often played at funerals (“My Way” wins overall) or intriguing musical ironies (Jim Morrison’s last live song performance was “The End”). Other contributors include Andre 3000, Jeff Tweedy, Regina Spektor, Bettye Lavette, and Jim James, who provides the foreword.
If you’re scoring your own funeral, this book of prompts will get you going.
