Praise for Henna Is...:

"Writing in vivid, sensory language, [Abbas] offers an all-encompassing exploration of the topic, accompanied by Chouhan’s enticing illustrations dominated by floral patterns and symbols from the various cultures where henna is popular. Nontraditional henna designs—smiley faces, ice cream cones, thunderbolts—appear, too, lending a playfulness to the art. A joyful look at an important cultural tradition." —Kirkus Reviews

"Colorful and affirming illustrations mirror each description, leaving cultural insiders warmly gratified and cultural outsiders with new knowledge. An author’s note adds a little more context. ... Pair Henna Is . . . with Meera Sriram's A Garden in My Hands (2023) and Zain Bandali's Mehndi Boy (2023) for a cute text set all about henna." —Booklist

Praise for A Dupatta Is...:

"Abbas offers not just a story, but a poetic explanation of a traditional scarf worn by the people of Pakistan, India, Sri Lanka, and Bangladesh. ... From color to function, beauty to identity, the dupatta’s significance is shown through vivid illustrations from ­Chouhan. ... This book exquisitely represents the legacy that is the dupatta through imagery and descriptive text for a beautiful lesson in culture." —School Library Journal

"Similar in form to Kevin Noble Maillard’s Fry Bread (2019), illustrated by Juana Martinez-Neal, this rhythmic description of a dupatta’s importance in a South Asian Muslim family is an affectionate homage. ... The book’s warm, well-chosen language depicts a joyful, accurate representation of a dupatta’s multigenerational importance in family life. ... A lyrical, multisensory celebration of a South Asian garment." —Kirkus Reviews

"Noting in evocative, expansive terms what 'a dupatta is,' Abbas’s free-verse quatrains and Chouhan’s jewel-toned digital images describe the traditional South Asian scarf. ... Vibrant patterned illustrations show individuals with a variety of skin tones in assorted scenarios. Additional information and a glossary conclude this look at a garment that is 'so much more' than mere apparel." —Publishers Weekly

2024-04-20
What is henna? And why do we use it?

Each spread of this picture book begins with a brief statement about henna, a powdered dye made from leaves of the henna tree. “Henna is nature,” Abbas tells us, “seeds sprouted into shrubs / leaves kissed by tropical rain / Plucked and dried under the golden sun / Pounded to powder.” Readers learn about henna’s various hues (“Henna is color / The orange of juicy mangoes… / Bright and smooth green… / Sun-kissed brown … / Black like kohl”) and where it’s commonly used: “Henna is place / South Asian / North and East African / Middle Eastern.” Marrying both art and function, henna can be used everyday or for special occasions. It looks beautiful when applied to the skin, it can be used to condition hair, and it’s a cooling agent, too. Henna is intricately tied to celebrations such as weddings, birthdays, and baby showers, as well as holidays including Diwali and Eid. Most pages end with the refrain “But henna is so much more” as Abbas segues into another aspect of henna. Writing in vivid, sensory language, she offers an all-encompassing exploration of the topic, accompanied by Chouhan’s enticing illustrations dominated by floral patterns and symbols from the various cultures where henna is popular. Nontraditional henna designs—smiley faces, ice cream cones, thunderbolts—appear, too, lending a playfulness to the art.

A joyful look at an important cultural tradition. (author’s note) (Informational picture book. 4-8)